People who make places: Fatima Khuzem

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Hello to Fatima Khuzem, thank you for contributing your story to People Who Make Places.

How do you describe what you do when someone in your family asks?

I am a product and spatial designer, and I use creativity to make/build things that can help address or solve problems.

What is the most interesting project you’ve worked on?

A project for Mumbai airport. The sheer scale of it was very exciting and it was the first of its kind that I worked on. It was designing all their passenger experiences in the arrival and departure zones – including all the physical things that went in it.

What aspect of your work gives you the best feeling?

Seeing the result of a project and talking to people that share the same sentiment.

What keeps you awake at night?

How I can balance having a lucrative career while doing the things I believe in and love. Also whether I will be a good mother.

What does your work now have to do with what you studied, if at all?

What I studied and continue to study act as stepping stones to refine myself as a person and in my work too. I still continue to be a designer like I studied to be. I use the same tools and knowledge but use them for all kinds of different things now.

What advice would you give to a young person interested in a career like yours?

My first advice would be that, there is no alternative to hard work. Doing anything different means having to fight for it. Secondly I would advise young people to start doing and making, as design and creativity is in everything. The easiest first step to take would be to start looking at people and things you find inspiring and try and replicate them. Keep a scrap book!

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People Who Make Places: Anne-Héloise Dautel

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Hello Anne-Hélouise Dautel! Thanks for contributing to People Who Make Places:

First question, how do you describe what you do when someone in your family asks?

I create and design spaces and buildings for people by sculpting and manipulating the light, volumes, etc. We all live in an ‘architectured’ world which has been designed and ‘dictated’ by planners and architects and I would like to sensibilise people to their surroundings and Architecture in general. Architecture is like a playground for me, or a laboratory where I manipulate volumes and materials, combine them, try to understand what the client’s wish is. Architecture should be a profession and a career of continuous research and personal development.

I have been working in the UK as an Architect for more than 4 years. I am currently employed and have been working in a Architecture firm based in Central London for nearly 2 years. Before that, I used to work in a Belfast based firm specialised in Conservation work. That Northern Irish company sent me to China for a 3 1/2 month business trip in Shenzhen in order to create a partnership with a Chinese local firm. I had the chance to work on masterplans on scales much bigger than anything I have worked on in Europe. I also had the opportunity to do some architectural research in the Architecture School of Bhopal in India while being part of a students exchange programme between Bhopal and Queens University of Belfast.

What is the most interesting project you have worked on?

A 5.3 hectare regeneration masterplan in Bangor, sea-side town in Northern Ireland. The final proposal includes a cultural, leisure and arts hub and theatre, located in the town centre, as well as shops, restaurants, offices and hotels – all of which acting as a catalyst for regeneration in the heart of the town. Its apartments and hotels put its residents first and will ensure this vibrant and diverse place has an enduring legacy. I have worked with the local residents closely to determine their needs and define the programme and space.

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What aspect of your work gives you the best feeling?

Working with and for people.

What keeps you awake at night?

When I feel like I could have performed better and did not give the best of myself.

What does your work now have to do with what you studied, if at all?

I studied Architecture in France and Northern Ireland and am now an Architect.

What advice would you give to a young person interested in a career like yours?

I would warn them of the complexity and difficulty of this profession. From Uni to a professional environment, your work will be criticised. You need to be truly passionate about Architecture when working as an Architect.

People Who Make Places: Chelsea Moore

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Hello Chelsea! Thank you for contributing to People Who Make Places.

How do you describe what you do when someone in your family asks?

I am a designer and maker, specialising in creating set builds, installation art, scenic art, sculpture and costume. I work mostly in paint, fabrics and scrap materials that I source from Scrapstores around the country. Throughout my freelance career, I have actively sought out opportunities for creative events ranging from public events and festivals, and evolving my experience and passion as a workshop facilitator and maker for children’s theatre and community projects. I always find this a tough one, especially trying to describe what I do in one sentence because I do lots of different projects all the time.

What is the most interesting project you’ve worked on?

There are many exciting projects I have worked on that I have loved equally, but the one that probably stands out is a self-funded and crowd-funded project called Son Caméléon. This was the first multi-disciplinary project produced by the art collective I run, Tangleface Arts, also being the project that brought us together as a collective which is why it is special to me. It was created in 2014 and has since toured music and arts festivals and events around the UK for three years running. Son Caméléon is an art installation that comes to life when in use – it is ultimately a pedalling stage that looks like a chameleon. The build itself ignites a childish sense of awe; a giant Mumma Caméléon emitting music, pedalling through the landscape accompanied by her chameleon offspring (these are performers dressed up in chameleon costumes that we made). Once Mumma Caméléon finds a suitable feeding ground, she parks up and welcomes you into her world of delights, fending off the enemy with her colourful displays of both live acoustic music and DJ sets. Son Caméléon comes with promenade-style performance, interactive games, handmade goods and prizes, as well as bookable art workshops bespoke to each event.

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What aspect of your work gives you the best feeling?

Being hands on and making! I also massively enjoy facilitating workshops as this gives me great joy and pleasure passing on my love and skills set for art onto others, and I really enjoy working with other people – most of my work consists with collaborating.

What keeps you awake at night?

Being a freelancer means that my work brain is always switched on, so I guess if I am kept awake at night it is always because I am either thinking of my tasks for the next day, worrying if I have enough time to get everything done or the opposite of that and worrying when my next job will come in. It is definitely no 9-5 and can be extremely stressful but I wouldn’t want it any other way as it gives me a huge amount of freedom too!

What does your work now have to do with what you studied, if at all?

I studied Fine Art at university so my studies have definitely fed into what I am doing now. If I never went to the university I studied at (The Arts University Bournemouth), then I would never have met the people who I now run Tangleface Arts with and actually most of the people I collaborate now with on commissions. Fine Art was hugely conceptual, which I think has broaden my imagination and ideas, allowing me to not only be a maker but be a designer also, and it has given me skills amongst many different art mediums, which I definitely apply to my work now.

What advice would you give to a young person interested in a career like yours?

I would advise them to gain as much experience as possible and get involved with as much work as they can even whilst studying. Going to university was great and is where I met most of my colleagues now and I had the most incredible time, but gaining experiences is just as important – a client has never asked me what degree I did and what grade I got, they are most interested in the experience I have gained. I would also say to not be shy and instead chat to as many people as possible and be passionate about what you do – again the majority of my jobs have been from word of mouth and people I have met along the way, either on previous jobs or through friends and colleagues passing on my information. Never underestimate your talent and worth! And keep chasing your passion, don’t give up!

Call for freelance creatives

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Architect Wendy Smith with students from St John Bosco College

Do you want to help inspire and inform young people about creative freelancing? Work more with schools? Share your knowledge and experience?

 
If you work in a creative field, chances are you struggled to find careers information at school, outside of the ‘normal’ routes. Cultivate Routes is a new project based in Wandsworth, that aims to raise young people’s awareness of a wider range of creative careers by bringing freelancers into primary and secondary schools to work with teachers and to tell young people about their work and career path.
 
We are looking for early-ish career (up to 5 yrs) independent practitioners working in a creative, cultural or place-making related field (e.g. Product Design, Architecture, Landscape, Exhibition Design, Retail or Interior Design or Heritage) to take part in an ongoing programme of half-day careers inspiration workshops at schools in Wandsworth or Lambeth. A small fee is available to cover expenses and a planning meeting with the school would also be required in advance of the workshop.

We’d particularly like to hear from cross-disciplinary and collaborative freelancers with a successful ‘portfolio’ career.

This is part of the Cultivate Routes project, the careers strand of the Cultivate programme. Schools are now legally responsible for delivery of careers advice and guidance, and need support to cover opportunities beyond their expertise such as creative industries and place-making. We consulted teachers on their needs. They wanted professionals to visit schools to deliver interactive sessions, setting their pupils a challenge that would give a taste of their work. We are running some pilot sessions and will continue to offer it throughout 2017, and possibly longer.

Please share with anyone you know who might be interested!

If you’d like to apply, please fill out this short form in a lively and succinct manner.
For more info, email ana.ospina@flowassociates.com or call 07732787423.